Wednesday, August 15, 2012

Experimental Painting: Inspirational Approaches in Mixed Media

THE ART STUDENTS LEAGUE OF NEW YORK

September 22-23
Saturday–Sunday 10:00 am–4:30 pm
Book Signing!
Lee's Art Shop, 220 West 57th, NYC
Saturday Sept. 22 at 4:30pm
This hands-on workshop will investigate exploratory methodologies, techniques and approaches in mixed-media art. Throughout the workshop, many exciting in-depth demonstrations will be shown, providing an extensive array of visually-stimulating possibilities for artists to explore. Both two-dimensional and three-dimensional mixed-media techniques will be covered, including employing alternative working grounds, using custom tools, toning the painting surface in imaginative ways, creating a tactile ground, building the visual architecture and utilizing innovative mixed-media techniques to create intriguing effects. To assist artists in their own creative path, topics on nurturing the creative spirit, developing personal content through journalism, embracing a multidisciplinary mindset and creating message-driven art will also be discussed. For artists who are looking to push their work to a new level, this workshop will be a valuable resource and an ongoing source for creative inspiration.


Monday, August 13, 2012

Developing a Color Scheme!

According to Joseph Albers, "Color is the most relative medium in art." When it comes to establishing a color scheme for your paintings, think about what color can do in terms of temperature, emotional impact and cultural connotations.

Green, blue and purple are traditionally cool colors and red, orange and yellow are typically warm in nature. However, there are warm greens, blues and purples as well as cool reds, oranges and yellows. Knowing your color palette in regards to temperature will assist you in conveying the right mood for your painting.

Color can also trigger an emotional response. Advertising has used color in this way for many years. Artists can also utilize color to enhance a concept, appealing to the emotions. The color green, for instance, can communicate nature as well as a feeling of well-being. Yellow conveys friendliness while red can communicate heat, vigor and energy. Purple, on the other hand, is seen as a color of royalty in many cultures.

When making a choice about what colors to use, consider utilizing a controlled and limited palette. I like to use split-complementary colors. In other words, if my painting utilizes yellows in the focal area then I would use purples (both red violet and blue violet mixtures) in the appropriate tonal range to communicate just the right mood. This is typically done in a one third to two thirds ratio to create impact. To assist you in choosing the appropriate colors, I suggest you create your own color wheel using the tubes of paint that you own, labeling them as such on a wheel. This will simplify the color selection process.

Below is a great video on gamut masking by artist and illustrator James Gurney. He has a book out called Color and Light that is very insigtful when it comes to color.

 
 
You may also want to play with Golden Paint's Color Mixer